Talking Dahmer at the Circ Desk

The cart was filled with books from the book drop. The library assistant wheeled it to the circulation desk and watched the stack teeter.

    The second library assistant, Carl, watched Pam and the books. He said, "I saw that movie, the one about Dahmer?"

    Pam pulled a few books from the middle of the stack as if playing a giant game of Jenga. "Yeah?"

    "Yeah. It had this scene in it where Jeffrey Dahmer starts making noise in the library, like acting out to be funny, and I wondered how many of our patrons are gonna become serial killers," Carl said.

    "I could name one or two," Pam said.

    "I'm serious," Carl said.

    Pam reached for more books from the pile, but they fell on her, crushing her under the weight. She gasped and the weight bore down and pushed the breath from her lungs. Carl watched as the life drifted from Pam's eyes. He waited, seeing the inner light fade to a distinct nothing. Then, per the library handbook, he began collecting the books lest they become haunted by Pam's eternal soul.

    "Anyway, it was a good movie," Carl said.

The library's Christmas shopping list

The library is counting down the days until Christmas and wants to let you know what you can give us. We've been all around town and have located dozens of items for our list. Here are a few.

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"Tits out Miss Piggy Bank" is the number one item on our list for collecting fines and overall just lightening up the children's desk.

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"Suck It Monkey" will be a delightful addition to our reference collection.

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By hiring "Drunken Italian Stereotype," we feel our Books and Dinner programs will have the best food available.

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Nuff said.

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The library needs a mentor and what better to lead us than a figure from our past?

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The library needs to show children with "The Boy Who Didn't Believe" that if you don't believe in things, a fat bearded man will kidnap you.

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Can't go wrong with a box of hammers.

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Zombie Santa wants us as much as we want him.

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Again, the children's desk is looking a little drab. Can't you help us lighten it up with the flintlock lamp?

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Don't think we didn't forget about the Circulation Department's voodoo doll collection.

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Nothing wrong with a sexual representation of Mr. And Mrs. Clause.

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Just cause.

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If you don't have a bucket of leering Santas on your wish list, whose dick are you trying to suck?

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We round out the list with our favorites: What if Santa was a Muppet...

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and what if Mrs. Clause needed some sex?

I failed the written

We all have bad days. Days you wake up on the side of the bed that’s not just wrong, but fuck all to hell done with this earth. Today was mine and it started at the DMV.

    Oh, yas mothafucka, we’re going to the DMV.

    I recently moved over 120 days ago which is longer than the 90 days the great state of Idaho requires you to hand in your licence, registration, and first born potato. As such, after I waited over an hour I was told I needed something a little more current than my lease agreement. Fine. My fault. It happens.

    A drive home, and I’m back. You know that feeling. It’s like coming back from the bathroom when you were in Kindergarten. “Hi, just back to see you all again. What are we doing and does it involve maccaroni?”

    There was no maccaroni at the DMV.

    In fact, the DMV had not shit. Little to no shit as in the thirty minutes it took for me to go out, search my car for something with my name, address, and date within 90 days, fail to find that something and drive home for a pay stub and come back, well, folks, the DMV’s computers in that time had chosen to go down.

    Two hours later, I am chosen. The computers are back from being down. The lady has a nice smile and is happy to help me as the first lady was. Except her camera is not working. In case you have noticed, creation of a photo identification requires the ability to take a photo. She restarts her computer. Nothing. Unplugs and plugs things. Nothing.

    Then the camera comes back on its own. Just to fuck with me.

    I take a decent picture. I should have known at this point things were not right.

    In Idaho, if you have never had a driver’s licence in this state, you are required to take a written test. If they feel you’re impaired, they may also make you drive around with someone telling you to “check your mirrors.” These tests cost, the written the princely sum of three dollars, plus three percent and some more if you pay by card.

    Fun fact: the night before I had left my debit card at a restaurant that serves all night breakfast and discovered this fact in front of the nice, smiling DMV lady. When you discover you have forgotten your mode of payment, three things happen right away. First, there’s a draining feeling. Like you’re a balloon that just shit the bed. Next, a frantic searching starts because it has to be there somewhere. Then you remember where you left the fucking thing and those all-night breakfast eggs were a little damn runny, you know?

    Relax. I had a credit card. I went into four dollar and some change debt for this driver’s licence to take the test. As I waited the three hours before, I had read the driver’s manual. The DMV gives out these manuals from a rack last used to hold Highlights magazines and old Sports Illustrated's at a dentist office. I was prepared by this test by that three hours of reading and twenty plus years of not dying while driving around the United States.

    I failed the written test.

    As I went along, I got cocky. I also skipped questions I didn’t know. I could miss six questions out of forty and pass. No problem as I marked red stop signs and said “of course the car on the left should yield to the car on the right when they meet at a four-way stop in the middle of a field surrounded by cattle and various cold weather fowl. It’s just the right thing to do.”

    The skipped questions, though, when they came back around I could not skip them again. There were eight of them. I got one right by guessing, something about how far you can see at night when the car in front of you might be a horse. With seven left, needing only one correct answer, I missed all seven. One by one.

    I went back up to the smiling lady who smiled like a lady and said, “Oh, you got so close there. Come back on Monday, okay?”

    I vowed to her right then, saying, “Madam, as the gods above and the gods below and the gods who make little baby’s laugh as my witness, I will come back on Monday. I will pay three dollars plus thirty percent plus some other thing I don’t know. I will take your test again and I will know the correct speed at which I am supposed to pass a yellow car on a two lane road in the snow after Labor Day. I will be a licensed driver in the state of Idaho and all shall know as the thunder will split the sky and the land will roll with the joy of all creation.”

    Then she handed me back my old license and said, “Thanks. See you then.”

Blade Runner 2049 (2017) Movie Review: Gorgeous, Loud, and Slooooowwww

I might have a sleeping problem. Put me in a dark room with a big screen and I go all Kevin Bacon in Stir of Echoes. Total hypnotism. You could probably even make me like the Blade Runner franchise.

    I get it. Don't tell me I don't get it. Far flung future with robot-lite slaves who want to be free. A noir-ish person who hunts them down and in the case of the narrative stumbles upon giant questions. Gorgeous visuals. Striking sound. Acting above reproach. Everything about Blade Runner and the sequel are amazing.

    I just don't give a shit. All that, for me, adds up to a nearly three hour nap. If Zimmer's score wasn't there to jolt me and the people two blocks away out of their seats with a giant "BUH-WAAAAAAA" every ten minutes or so, I might have just been in a park. There might have been less contact with sticky floors.

    The deep existential questions about being and not being, creation and life, those all got me back with Thoreau and any other navel gazer I happened to read in college. Just because they are wrapped up science fiction hopes and dreams doesn't make them more appealing to me.

    But hey, that's me. If you love a gorgeous movie well acted that asks all the big questions while taking its time, you'll love the hell out of Blade Runner.

Murder on the Orient Express (2017) Movie Review: Shit Goes Down on a Train, Y'all

Man, you ever loved something and had someone you loved involve themselves with that thing and then… Eh? Just falls short just a little? Not great as you hoped? Welcome to life, Sad Sally, you just became a little more adult.

    Agatha Christie's classic story of a murder on a train plays out pretty straight in the 2017 Kenneth Branagh adaptation. There's a train, period appropriate clothing, actors acting their assess off, all that stuff. Sure, they threw in some sex and violence because we're different today and that's fine. Nothing much changed there.

    Just a little problem… Poirot. Not Branagh's performance. Dude acts the shit out of everything. He was even great in Wild Wild West and that's a giant pile of poo. His Poirot, however, is off. Here, the character is played like TV's Monk with a dead wife and random order problems. In the books, he's more like TV's House with being an asshole who happens to be smart. It changes a lot of things and I just can't get over it.

    Still, though, this was a fun night out. The acting really is great. I mean, I really wanted to kill Johnny Depp and root for Daisy Ridley as a hero. That's never happened before. Neither of them.

Happy Death Day (2017) Movie Review: This Ain't Your Momma's Groundhog Day, Sonny

A world exists where you are dead. Someone or something killed you, just for shits and giggles. The world is a dark and dangerous place. Or happier. I don't know you.

    So what would happen if you could remember that world? What if when that thing or person killed you, you got to start over like in Groundhog Day, reliving the day again? That's how Tree (Rothe, and yeah, that's the character's name) finds herself on her birthday.

    Go see this movie. Not because it's the best movie of the year, but because I want more movies like this. If you haven't already, go see this movie and then go on Netflix and watch The Babysitter as a double feature because I want more fun horror movies out there.

    You know how murder movies normally have disposable, hateful characters that you want to die at the killer's hands as soon as possible? This movie has that. Then the shitty character dies… and dies again… and again… and then learns not to be shitty. It's really damn good for what it is, it knows what it is, and it let's things play out like they will.

    Will you guess the killer? Sure. Will you care? I dunno, you're you. You know if that kind of shit matters to you. I just enjoy well told, solid movies that have laughs and jumps.

Burn After Reading (2008) Movie Review: You don't know shit. Or the shit.

You find a CD full of secrets and are in need of a great deal of money. Let's say your daughter needs surgery. If you don't have a daughter, let's say you need surgery. If you would just let yourself die, well, then, fuck you I'm not talking to you, print this out and give it to someone who cares.

    What I'm saying, you find government secrets. What do you do? Turn them in? Try to get some money for them?

    That's the situation in this Coen Brothers blackest of black comedies. Linda (McDormand) and her dumbass friend Chad (Pitt) go after the money of Cox (Malkovich) not knowing he has no money. Also George Clooney is fucking everybody. I don't remember his characters name.

    This is the best version of a fiasco, summed up in the end by a character asking another what the hell was going on the whole time, something I'm sure the audience is meant to ask. The other character shrugs. Such is life.

    Should you watch this movie? I'm supposed to tell you this, but I don't know you. You might like straightforward, white hats and black hats fighting it out and ending in a kiss and a quip. But this ain't James Bond. This is Frank Bond, the lesser Bond film that might have one time written a song for a soundtrack but otherwise rambles on until its done.

I Am the Pretty Thing That Lives in the House (2016) Movie Review: So Much Title, Space is Jelly

A quiet dark hallway and a score that lumbers along as a character and camera creep along waiting… The house sits and allows you to feel alone with Lily as she cares for the aging horror novelist. Then I fell asleep.

    That's not saying this movie is bad. I fall asleep in a lot of movies. It's winter and when the lights are low and I'm comfortable, I just slip away. It pisses off my ladyfriend.

    My sleep habits have nothing to do with the movie I Am the Pretty Thing That Lives in the House, the longest title that I have to keep looking up. Just go to typing and I'm like, "What' the name of that house movie with the lady in it? The pretty one? Fuckin 'The Pretty Lady That Hangs Out in the Crib'? Or 'I Am the Person Living Around the Block With My Gran.' Whatever, Google."

    What can I say about this movie? That it's well shot, well acted, well edited, well lit, well written, well well aren't we fancy, well in the well. I can say all that and get away with it because it's true.

    So when I talk about the name, the biggest problem with the movie, I'm only saying that because when I tell people, I don't like saying "You'll love the hell out of this quiet thriller named 'This Lady Lives in a House and Sees Ghosts But Maybe Not." Fucking hard to remember, that.

For a Good Time Call (2012) Movie Review: Do You Like Phone Sex?

When I need money, I'm gonna totally start up with selling some sex. Except my Amazon erotica ain't selling. Maybe I should be a lady or get some talent. That's what Lauren and Katie learn in this love letter to phone sex.

    In this movie… You know what? I'll just quote imdb:

"Former college frenemies Lauren and Katie move into a fabulous Gramercy Park apartment, and in order to make ends meet, the unlikely pair start a phone sex line together."

    Let's break this down to see if you want to watch this movie:

    Do you use the non-word "frenemies?"

    Do you hate seeing privileged white girls live in elaborate apartments in New York City's super rich apartment?

    Do you believe that privileged white girls would have so much difficulty finding work they would have to get into phone sexery?

    Do you think two white girls who would both use the term "frenemy" an "unlikely pair?"

    And there's all the phone sex and use of Justin Long saying "cock." I mean, I think he said it. He's the token gay character so he should have.

    If you said "no" to any of these sentences, well, maybe go watch Thor Ragamuffin again. There's no nudity here.

1922 (2017) Movie Review: How I'd Get Away With Murder

How would you get away with murder? Would you talk your son into helping you kill your wife so she doesn't sell her land and leave you wanting in a world that is moving on? If so, wow, very specific of you. You're just like Thomas Jane in 1922.

    This atmospheric re-telling of both Poe's The Tell Tale Heart and Lovecraft's Rats in the Walls succeeds on every level. The characters start likeable and quickly become monsters as circumstances based on their oown actions snowball into hell. Jane's mumbling Wilfred conives his way into your heart as you lean closer just to hear what bullshit he's mumbling.

    That being said, I'm not gonna kill anyone no matter what this movie wants me to do. But if I did…

    If I had access to a corn field that wasn't ready to harvest any time soon, that's where I'd bury the body.

    If I had a son, I'd totally tell the dad of the girl he's seeing to keep an eye on my son and their daughter.

    If my son run oft with his prego baby-mama, kid's dead to me. Fuck that kid. Seriously, fuck that kid with a pineapple.

    If a rat bit me, I'd get that looked at. Right away. Cause farm rats gross, bro.

Falling for Peyton Place and Mark Twain

Fall is here! Shit fell off trees!

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This past week's book was At the Mountains of Madness by HP Lovecraft because it was short and on sale. Still, it took me too long to listen to and honestly, I barely listened to it. If you've ever read Lovecraft, you know the archaic language can be impenetrable and at 2X speed I listen to things... My mind wandered, Still, check it out.

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Still making it through Peyton Place and by god, this is an excellent book. Just trash and awesome at it, showing with blatant fury the small town bullshit with a punk rock attitude of "fuck all these people." 

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Lots of things this day made me super happy, from @libraryeliza realizing that the old man teacher in the Last Jedi trailer was Luke Skywalker, but the top has to be "How to Tell a Story" by Mark Twain. This short essay makes me super happy to read because our greatest American author still commands that title by playing with and enjoying the art of story deconstruction. Pauses and rambling, indeed.

Little Miss Sunshine (2006): Vacation Without Chevy Chase

What more can be said about road movies featuring families? Get a bunch of wacky characters together in a confined space with a vast land to give a variety of adventures and let them go. Too bad this was done to perfection thirty-four years ago and repeated to death so much that my heart is a cold, stony ground from which no love of the family travel movie will grow.

Little Miss Sunshine is the story of a family driving to a beauty pageant two states away. Dad (Kinnear) is having money troubles. Brother (Dano) is a silent wreck. Uncle (Carrel) just got out of the hospital for suicide. Grandpa (Arkin) is a foul mouth mess. Mom (Collette) is dealing with all these assholes. While on the way, they learn to be a family again.

On the surface, a great film with a lot of heart. The ending dance number is inspired, the path every character takes is earned, and damn that kid is cute as a button. But my heart is closed to the love and admiration they give each other. For they are not Griswolds.

My family took road trips every summer. My dad, mom, sister, and I would pile into the car and drive. We went to amusement parks, national forests, and one time a castle. My memories of my experiences tie with deep recognition the John Hughes classic tale of a family traveling. At the end of our journeys, surely, no lessons were learned other than the world continues. The family abides. Death is near.

The black specter follows us all. As one passes on, more follow. Each of us has a time and that time is unknown, be it on the road or within our hearts. Cold silence follows and the future will crumble like rain in the darkness.

A nice little movie about a family, Little Miss Sunshine passes the time in a delightful hour and a half. The enjoyable plot will not remind you that chaos is inevitable and each of us is falling toward the depth of horror. Hold each other close and muffle the screams with hugs.

Thor Ragnarok (2017) Review: Lest We Mock The Elder Gods

When we at the library think of gods, we do not envision humans with human squabbles. Gods cannot be dreamed of on screens and images. Thor and his Asgardian pals are not gods no matter what thunder or death they can cause. They are beings of flesh and therefore lacking.

Thor Ragnarok has the Marvel God of Thunder (Hemsworth) facing off against Hela, the Goddess of Death (Blanchet), along with Hulk (Ruffalo), Valkyrie (Thompson), and Loki (Hiddleston). First beaten and savaged, Thor finds himself tossed on a gladiator planet where he triumphs and gathers his forces. At no point does a true god of thought and desire enter the picture to tear asunder such pitiful wants and desires.

Our usual Marvel gang are enjoying themselves, dancing around the acting and jokes and crazy plot with abandon. The three newcomers to the MCU are the standouts, however. Tessa Thompson is standout as Valkyrie, giving a strange pathos to what could have been a depressing character. Cate Blanchett rules the screen as the goth queen, giving some much needed good villainy to Marvel's usual bland evildoers. And Jeff Goldblum is at his extreme Jeff Goldblumiest. None, however, can hold a candle to those gods that live beyond thought, time, and dreams and scream into endless voids the sounds of creation.

A much wackier take than the previous Thor films, Ragnarok allowed director Taika Waititi to stretch. The overall plot is basic MCU (bad guy shows up, good guy has challenge, giant space hole, and violence), but within characters are beaten and broken as if they are in a cartoon. With gods and monsters, you can play with indestructible forces for only so long until they turn on you, notice you, and tear your mind from your body like a cork from a bottle.

Overall, a great film but a horrific depiction of gods. No fear or reverence exists in this tale. May the elder ones never see how we mock them.

Moana (2016) Review: No More Heroes or Dead People

Meeting your heroes is tough. When the library met documentary comic writer/painter Eric Powell, we stared at the ground a lot and mumbled how much he meant to us. When Moana of the movie Moana meets her hero, he's a dick.

Eric Powell was not a dick. When we met the Night Raven, she was a dick. More on that later.

Moana, the movie, is about a young island girl, Moana, who leaves her island despite the warnings to find an ancient demigod and get him to fix the world he broke. She does. The end.

First of all, the music, voices, and effects are amazing. Catchy tunes written by the Hamilton writer Lin Manuel Miranda will invade your skull and you will say "You're Welcome." Dwayne "That Guy" Johnson and newcomer Auli'i Cravalho star as Maui and Moana and kick ass at talking into microphones. And the water and the chicken. You will believe a chicken can be stupid.

Second of all, again, not one bit of murder. Look, I understand that there's Disney right there on the box. But at least in some Disney movies a villain can be trusted to get killed or kicked off a mountain. What happens here? Well, spoiler alert. It doesn't.

When we went to the library conference and met the Night Raven, we all knew we could die. And some of us made it out.

Don't meet your heroes, you know?

Entering the City to Travel

In the fourth moon of the year of the Sizeable Serpent, Grog the Destroyer came forth. He walked across the Desert of the Moon. His feet were torn and broken, his throat near sandpaper with thirst. The sword on his back heavy and its leather strap digging into his bare chest.

    Upon finding the city of Arathorn in the kingdom of Y'eabud, he greeted the guard at the gate. Walls of pale brick stretched from horizon to horizon.

    "Yo, dickhead. Let me in," Grog said. Despite his thirst his voice held a commanding thunder.

    "Who calls me a dickhead?" the guard said.

    Grog pulled from its sheathe the sword Metal Death and planted his feet. The sword, forged by Grog's mother on his second birthday, glinted in the noon day's light.

    "Me and my sword, dickhead," Grog said.

    The guard pulled his own sword and hefted his shield. The shield bore the insignia of the house of Thornwood, the leaders of the Arathornian. Grog understood at once by threatening this man he had threatened the city itself. He set his feet in the ground and prepared to raze the world.

    The guard said little above a grunt as he gathered himself, feet apart and eyes bright like a panther. Grog would not draw first blood and patiently waited, rolling his dark shoulders. He lifted his head and felt the sun on his dark hair and allowed the sweat to trickle down his neck.

    The guard slashed right to left, coming at Grog low. Grog bellowed a roar and met sword with sword. A shower of improbable sparks fell between them. The guard backed up on nimble feet and Grog charged after him.

    "Meet your death, fucker," Grog yelled and brought down his sword.

    The sword sliced the thin wooden sheild as the guard attemped to block the blow. Metal Death sliced throught the man's arm and into his shoulder. The smell of blood found its way to Grog's nose and pushed him further into a rage. Red flew as the man screamed.

    Beyond the walls, other guards and citizens heard the screams. A dozen men with spears gathered at the gate. Above, half a dozen archers looked down, expecting to see a beast such as the Teethmaw or the Sentalac or an invading army. What they saw was a large hairy man with a giant sword screaming and chopping at a hunk of meat.

    "Jerry," the captain of the spearmen said to the captain of the archers.

    "Yo, Frank, this is messed up," Jerry called down to Frank, the captain of he spearman.

    "What's up? Another Sentalac?" Frank said.

    "Naw. Just a guy," Jerry said.

    "All that noise?"

    "Yup."

    "You think we should open the gate?" Frank said.

    "Naw, we're gonna shoot the fucker," Jerry said.

    Jerry turned to his fellow archers and pointed to Archie. "You, kill that shit," Jerry said.

    Archie the Archer knotched an arrow and took aim at the man beyond the wall hacking at the pile of meat that had once been Olaf the Guard. He let the arrow fly.

    Grog heard the twang of the bow and raised Metal Death. The arrow clanged off the metal of the sword. Grog followed the path of the arrow to Archie the Archer and met the man's gaze. From the distance of thirty feet straight, Archie felt the gaze of Grog fall on his man understood his death.

    Grog ran to the wall, sheathing his sword. Launching himself up, his fingers found purchased in the mortor and Grog began to climb. Archie pissed himself.

    Jerry the archer captain looked from his frightened bowman to the madman climbing the city wall. To the other archers he said, "Well, shoot the bastard."

    Jerry knotched his own arrow and everyone but Archie began firing at the barbarian. Some missed. Some glanced off the large sword on Grog's back. One archer, Fraser, managed to get Grog along the shoulder blade in a long stripe, a near hit. Grog paused and looked up, finding Fraser and giving him the same stare Archie had recieved moments before.

    More arrows flew but none found Grog.

    "Hey Jerry, what's up?" Frank yelled from down in the gate courtyard with the rest of his men.

    "Not now, Frank. Fucker's a climber," Jerry yelled.

    Grog bellowed and grabbed at Jerry as he reached the top of the wall. Jerry jumped back and swung with his bow. It cracked on the large man's head.

    "Come here," Grog said.

    "No," Jerry said.

    Archie and Fraser turned and ran as Grog pulled Metal Death from his back. Grog chased them, passing the other archers. Fraser had stubbed his toe the night before making him slow. The lumbering beast that was Grog caught up to the limping man and cut him down with a single swipe.

    Archie had a great big dinner the night before. His wife, Penelope, made the best beans in Arathorn. This was widly known. Archie had eaten a great many beans, enough to spend the rest of the night giving enthusiastic praise to Penlope with his gas, even as they made slow and erotic love. While running from Grog the Destroyer, he farted in panic.

    This made Grog enjoy the chase even more. A farting prey held great amusement to the large man. "Come back, gassy one. You felt brave enough to loose your arrow at me then feel bravery as I shove Metal Death into your open anus," Grog said.

    Archie continued to run, visions of his wife and beautiful children passing through his head. He wished to see them again, to hold them one more time, to laugh over the farts from his wife's beans as they lay naked in the moonlight.

    "Please," Archie said and reached the ladder to the courtyard.

    "Do not beg for your place in hell," Grog said. He swung his sword and missed Archie's head as the small archer slid down the ladder. Grog sent out a frustrated roar and leaped down after him.

    The archers had recovered and began firing down at Grog as he sprinted toward Archie. Jerry screamed at them to stop. "Let the spearmen do their job with that beastly motherfucker, boys," he said.

    Frank the spearman captain had his men lined in a row. He saw the archer run across the courtyard in front of them.

    "Isn't that Archie?" he asked.

    His second responded, "Yes, sir. You can tell by the farts."

    Grog lumbered in front of them, chasing Archie.

    Frank said to his men, "Spearman."

    The spearmen answered together, "Ha, lord."

    Frank said, "Let's kill the dumpy bastard."

    "Ha, lord," the spearmen said and began to advance as one with sheilds locked.

    Grog heard the shouts and the man call him a dumpy bastard. He gave up his pursuit of a single gassy archer to challenged the dozen spearman. Red filled his vision as he spun on his heel and charged.

    The city of Arathorn in the kingdom of Y'eabud retains a long memory. For centuries they have told of Orthon the Great who skinned the pack of man-eating wolves. They have told of Tubs the Crock Killer who killed crocks on the Day of Gift and Men. For centuries after, they tell of the assault of Grog the Destroyer and how he took on the city of Arathorn and vanished forever.

    Grog slipped between the poking spears and met the sheilds with a heavy thud. His large body met the wood as a ram might, splintering the sheilds. He thrust Metal Death between them and felt flesh split and reveled in the dying gutteral sounds of a spearman.

    Reeling back again, Grog prepared to push forward again. The spearman had no preparation, not understanding the violence they met this day. When violent men find violence uncomfortable, the violence has trancended itself and become a simple hope for survivial. This hope found itself in the spearman's hearts and the hearts of the archers above who could only watch as their comrads found death.

    Then the woman shouted.

    Grog stopped and looked over his shoulder. The spearman relaxed as the weight of Grog's glare relieved itself from them.

    She stood at the opposite end of the courtyard. Known as the Thorn of Arathorn, she wore black robes open in the front exposing pale round flesh. In her hands she held a glass orb as red as her hair. Her mouth opened in a dark oval and she said words no one understood.

    Grog saw her flesh and her shiny bobble and felt a stirring from within the red violence of his mind. Surrounded by shields and spears, he was not turned by her. He gripped one spear and pushed Metal Death into another man's chest.

    The sound of bees began. The sound came from within. The sound came from the Thorn woman and her red sphere. Men screamed and Grog continued his assault but the sound of bees increased.

    Her words took form as a cloud, an angry cloud of small creatures that resembled bees. She directed the cloud at Grog, the sound in his mind.

    The spearmen found themselves trapped between the gate and Grog. They died slow as Grog slowed, the sound of insects in him grew.

    Five men fell to him before he turned to the Thorn. The red had released itself from his vision. The woman stood before him.

    "Go beast. Go and be gone from here and his world. You have killed what is ours and are no longer welcome," Thorn said.

   "That what you think, witch?" Grog said and lunged at her.

    She dropped the orb to the stone courtyard. The cloud of red insects swarmed toward Grog and the sound in his mind. Her words in the strange language fell hard on him as he stomped toward her. The orb crashed and split and the world went dark for Grog the Destroyer.

    Pain centered his being. Grog had known pain, great pain from his childhood in the Pits of Isaacson to his learning of the sword on the Sea of Wicket Delight. Grog felt this pain not only in his flesh but in his soul, a loneliness of forgotten love or emptiness of hopes dashed.

    Grog opened his eyes on a new sun on a blue sky. The grass under his body was soft instead of itchy and coarse. Rising, he found himself next to a building of dark brick.

    Grog the Destroyer had reached the Banned Library.

This post is part of NaNoWriMo 2017. All this November, the blog will be select entries of Grog's journey to becoming the library's children's librarian. If you want to read it early, in its entirety, join the Friends of the Library on Patreon.

Battle of the Sexes (2017) Review: Not Even a Hint of Blood

The library went down to the theater and saw the Battle of the Sexes. This was not the movie we expected. Not one person lost their life. Not even so much as a drop of blood.

    Battle of the Sexes, despite the name, is about a 1973 tennis match between Billie Jean King (Stone) and Bobby Riggs (Carell). At no time do King and Riggs do battle in any type of arena attempting to kill or maim each other. Mostly, they hit small green fuzzy balls at each other.

    That's not to say the movie is worthless. The acting is amazing as everyone involved steps up to deliver tour de force performances and… You know what? I'm still bummed about the violence thing.

    Sure, there's sex, but it's the "oh I'm finding my true self and making important social change" type of sex. King's fight for equality is well represented on screen as she excelled at tennis with her fellow women tennis players despite overwhelming odds. She also finds love outside of the devotion she had in her first marriage. Good for her.

    But when I watch a movie with the word "battle" in the title, I wanna see some guts. Blood and shit and people screaming each other's names in ecstasy because tomorrow they might just die violent and horrific deaths. And I didn't get that. I just got a well acted, well written, socially minded film filled to the brim with talent and hope.

    Fucking hope.

     Gross.

Nursing in Study Room B

Study Room B holds many secrets. People say that if walls could talk, they would tell all our stories. The walls of Study Room B would scream.

I've been the librarian here for six years, since the building came to be and that goddamn study room is evil. Damn evil.

But I can only tell you what I've seen. The blood leaking from small bodies. Intestines spooling out and roping on the coarse carpet. Pizza stains from a delivery gone wrong.

We have to keep the room open. When we close it, a parent or a student complains. This time we got it closed down for an entire week before Nancy Travis complained.

A nursing student, Nancy complained to her father who then complained to a member of the board that there was a study room nobody ever used. The mean librarian, that's me, had told Nancy she could not be in there alone. The last time someone was alone in there the screams interupted story time downstairs.

Nancy smiled a little smile of as I unlocked the door and let her in. Red hair done up tight in a braid that fell to her shoulder.

Please, I said to her again. I can let you use the quiet study area.

I need to be on the phone, she said and closed the door. We looked at one another through the window. I had an idea of reaching out, touching the glass, but she would think it was a joke.

I was helping Mrs. Kemper find a newspaper article when the glass broke. A hard shattering of a chair and the breaking of wood. Screaming. Nancy screaming.

She made it halfway through the window. They found her braid nailed to the ceiling. Her nursing books torn apart. The pages spread all over, falling like snow.

I called the proper people. Authorities. Not very authoritative. The cop threw up and the ambulance driver kept wondering where the thing went to. The thing that got poor Nancy Travis.

When the reporter came around asking, I said there were no witnesses. I didn't tell him about the other times. He wouldn't write about them. He never did.

The Bleeding Tools of Carl and Loser Carl By ST Harker

Two men walked into the library carrying iron pipes and crowbars. Lots of them. Big guys with armloads of iron. And blood.

They dropped the materials on the library carpet. A scream came from way back in the library. I startled one of the men, who farted.

"Can we help you?" asked the circulation librarian.

"Our tools are bleeding," the first man said.

"All the blood," the other man said.

The circulation library picked up the phone. She said, "We need a tool anatomy book at the circ desk."

Her voice came over the P.A. system. Upstairs, feet began to shuffle. In a moment the reference librarian appeared out of breath.

The reference librarian said, "I have McCaffs Grey's Small Engine holy shit that's lots of blood coming out of those crowbars."

The first guy, his name was Carl because he mother wanted it that way, he said, "Iron pipes, too. I'm Carl. Help us out."

The second guy, also named Carl but people called him Loser Carl, he said, "Yeah, man, it's super gross."

The reference librarian flipped through the books, saying, "Man, there's a lot about batteries but nothing about blood. Say… Are you guys into Satan?"

"We don't go to church," Carl said. Loser Carl agreed.

"Damn. Nobody wants to go with me," the reference librarian said.

Carl put an arm around her shoulder and said, "Hey, cheer up. And, you know, this really isn't about you and your religious angst right now. Get your shit together, you Satanist librarian."

The reference librarian agreed and, angered, took out her phone and started googling. Turns out, the bleeding tools were possessed by the spirit of ancient blood demons. One incantation later and the tools were fine.

Except one crowbar. The reference librarian used that one to break Loser Carl's kneecap, saying to Carl, "Next time you think of putting hands on a librarian, you look at your friend's inability to skip to my lou."

The end