WandaVision Proves Hurt People Hurt People

Marvel got back into television with a relatively small story with big implications. WandaVision could have been a lot of things (people speculated the whole damn way), but in the end it became a solid superhero story about grief and loss in every good and bad way the genre can offer. 

Wanda dealing with the trauma we have seen throughout her six years is an interesting story, especially for a being who can warp people's minds and the physical matter around her. Where it stumbles is ending with a physical battle and a clever trick that leads to solving deep emotional problems. Wanda has learned and grown, but in the end it does not feel satisfying for her to just walk away from everything she did as an unstoppable magical badass after almost destroying a small town and enslaving its occupants. 

In the end, I love Wanda more as a character, but I am not sure she can be trusted with her powers. I guess we will see more about her development in the new Doctor Strange whenever it comes out.

To the Notes! Beware spoilers for the whole damn season and the MCU as a whole.

Intro to Magic

There's been magic in the MCU since Doctor Strange (maybe even Thor) popped in waving his hands around. But what we have here is real magic. "Change the world not fucking around damn sure not science we do not understand" magic. What happened in the nine episodes was more than floating shit around and telepathic mind tricks. It also was not Strange's "we know kung fu" brand of magic. Agatha gave a motherfucker superpowers, and Wanda rewrote reality (giving another motherfucker superpowers). That's pretty damn wild, even if the rules seemed a bit arbitrary and convenient to the plot. Turns out just writing stuff on walls can take away another witches' powers. Cool for her to say that.

Agatha Harkness

OMG I love Kathryn Hahn in this role. To be honest, the only other roles I remember her from are her solid run in Parks and Rec and the best part of those Bad Moms movies. Is this the comic book character we all know and love? Fuck if I know. Fuck if I care. Hahn dominated this series as a mysterious character and as a magic sucking witch from witch there is no escape. Fuck yeah she killed that dog and she'll kill your ass, too.

Grief and Darkness

The best turns in this show played on Wanda's grief and the darkness that wormed its way into the world around her. Subtle, eerie shades of David Lynch crept in like worms in spaghetti. A normal sitcom world laugh track became a chorus of demented screams inside the heads of viewers as scenes turned in on themselves through Wanda processing her life. Only when Agatha pushes the past on her do we fully see the discomfort Wanda has been feeling, but even then things seem only being processed on the surface. The darkness is still there even when Wanda has processed Vision's death. She gives up him and the kids, but I'm not sure she gave up the dark parts of herself.

Love and Forgiveness

Speaking of Vision, that son of a bitch damn near made me cry. First talking to Wanda in her Avengers room when they fell in love, and then that damn end scene where he says he'll always be a part of her. Bettany and Olsen fit so well together I found it very easy to realize he's a robot and she has enslaved a town and does not seem to feel bad about it.

Messy Neat Ending

Man, I know this is a comic book superhero thing, but maybe there did not have to be a big light in the sky and a punchy fight at the end? Ultimately both Wanda and Vision do have some smarty-pants talking the villain to death-ish moments, but it almost felt like the "de-icing" scene in the first Iron Man. The solutions are clever and in character, but I don't feel satisfied. Sure, Wanda gets a fancy new outfit (that looks amazing), but, and I do not think I have said this enough, she enslaved and tortured a town full of people. They beg her to stop. Dottie begs Wanda to let her hug her child again. Wanda's Hulk "Take it all" moment at the end does not fix this. And is flying not a spell? Because Agatha should have dropped like a stone when those runes went up.

Monica

Monica Rambeau is one of the most exciting characters the MCU has dropped. Sure we met her as a kid in Captain Marvel, but here dealing with the death of her mom she's so much more. Then she gets some poorly defined superpowers and hell yeah I want to see what they do with her. However. Here she is just a champion and overall scapegoat for Wanda's actions. One of her last lines is saying she would have brought her mom back, too. Which, yes, of course that's human nature to mourn for the dead. But she should have followed up with "but I probably would not have enslaved so many people to my will while I was at it."

Evan Peters

Fuckers gonna troll. Disney, you bastards.

Darcy and Woo

They really are just so great. Those damn magic tricks. Flourish!

Darkhold

Same shit from Agents of SHIELD?

Let me know in the comments, on the Contact Page, or at contact@bannedlibrary.com what you thought about the episode or if you have any thoughts on the damn Darkhold.

Marvel WandaVision Scarlet Witch & Vision Retro 50s T-Shirt

Marvel

Coincidence in the Mandalorian

I opened a beer, filled my vape tube, and started the Mandalorian.

     First season was fun. A finding your legs type of affair where the characters were being felt out. Mando strolling in cock first, shoulders back, shooting people the way the Force intended. Every once in a while, like his shoulders, there was a slump. Never for long, though. Rally cry and pew pew and Mando and Baby Yoda riding into the sunset.

     The first episode of the second season brought a giant dragon and some hell with it. Krayt Dragons ain't nothing to fuck with. Still, you could say the whole thing was justified. Mando came to town looking for other Mandalorians and left with some Fett armor. Felt good, a return most welcome. Except this time I did not seem so worried about Baby Yoda.

     If that is his or her real name.

     Maybe it is fatigue? That cute little face is still adorable. I want them to succeed. Yet I find myself more often than not with the second and third episodes saying, "Did nobody teach BY anything in the first fifty years?" Simple stuff like "don't put that in your mouth." I'll get to that.

     We start the second episode with Mando and BY roaring across the desert. On a steel horse they ride, wanted dead or alive. Some guys with a rope decide "dead." Shit's trashed as they closeline our heroes. Then our heroes kill them. I began thinking, telling my notebook, "what?" I mean, of course they are being chased. Look at that cute bastard. But how did those guys know Mando was riding that way? It's a big goddamn desert yet there's only one rock formation in or out on Tatooine? 

     Maybe they didn't know shit about BY and were just raiders. Sure, but I feel like they went right for him. In the end, like all of us, the last man standing bites off more jetpack than he can chew and is launched skyward. His fall mirrors the fall of man as a superior opponent looks at a child and shrugs.

     Moving on! Back to camp where Mando gets transport for a frog lady and her delicious eggs. I mean, they do look like that jar at the end of the bar filled with pickled eggs that nobody but the guy with one arm touches, but Baby Yoda is into it. And, to say again, who taught this kid to eat everything. Even if his first few dozen years were as a larva or whatever, goddamn somebody slap that kid's hand. I thought he learned his lesson, but then came the spider eggs.

     The standoff and flight against the X-wings brought a smile. When everything looks okay, then those wings open up, that's just simple storytelling. They could have said "Hey, we just wanna talk about some crazy shit you did that we might let you go for," but cops gonna be cops.

     Now I'm gonna dump on the frog lady. Who on an ice planet trapped underground wanders off to maybe find a hot spring? And who does not look around before getting bare ass and dumping their babies in the pool. If my mom did that, I would be dead and deserved it. Not to mention all the kids getting eaten by that adorable big eared green trash compactor.

     Spider fight and cavalry save the day for some reason. Come'on. Ice Spiders? Somebody played a lot of Skyrim on their refrigerator while writing the script. Effective, but expected. And those X-wings just found them on that whole goddamn planet? I drop my glasses in my studio apartment and it takes ten minutes before I can see again.

    Coincidence makes kings in the Mandalorian. The old golden rule is "coincidence can get characters into trouble, but they have to get themselves out." Having space rangers show up to blast your troubles away feels wrong in retrospect.

    Hobbling out into space, we get to some actual others of our dude's kind! And it is Motherfucking Starbuck! Gotta say, when they took off their helmets and called him a cultist, I dug it. Nobody writes stories where our "outsider badass" might actually be a brainwashed sycophant (outside of most movies sanctioned by the US military). Texting with a friend, she said, "so Mando's a Jehovah's Witness?" I just hope he gets to celebrate his birthday up in the stars. 

     And then we have another "help us or we won't help you" plot, which seems to be the series main bag. I'm for it. Our guy is always on the ropes with his little puppet of hunger and gets to display how awesome he can be almost constantly. We do get another "Mando's fucked without coincidence" on the pirate ship, but I will trade that for the hallway scene where he's getting battered then blows shit up.

     Wrapping up, we carreen ever closer to this being a sequel to Star Wars: Clone Wars and Rebels. "Go find Ahsoka Tano," Starbuck said. And so we go, knowing full well that by the end of this season Starbuck holding the DarkSaber will make many nerds piddle on the carpet. 

    I never completed either of those series. At some point, Star Wars became "not for me." I was always into the sword fights and the World War II imagery, but the drama often falls flat. Politics in the real world holds way more sway over my mood than made up in-fighting. I like Mandalorian because of the simple "guy and a kid against the world" story. Grand schemes are not at play, global fuckery is not an issue, and just getting to tomorrow feels like enough.

    Hell, that might be my new catchphrase.