Piranha 3D (2010) Movie Review that proves people love boobs. I mean, fish. Wait, no, boobs.

Long ago in my life, an older cousin or friend or creepy guy, I don't remember who it was actually. We were in an alley. Anyway. He sat me down and we watched a Porky's and Friday the 13th double feature. After that, I realized that you can have a boner and be scared at the same time.

    Piranha 3D fails at the scares, but it reaches for the boner at every turn. As Stephen King once sorta said, when you can't horrify, scare them, and when you can't to that go for the gross out. What better way to gross out an audience than small fish monsters.

    It's spring break and the town of wherever the fuck is having boob day on the water. There's a kid who wants to see boobs, his mom slash sheriff who wants to protect people while hanging with a scientist, and a boob-video maker weirdo who used to be the fat kid from Stand By Me. Where can you go wrong?

    If you come to Piranha 3D looking for characters or plot or that normal movie crap, then check your bags at the door. Why did you even bring bags? You're a weirdo. Just sit down and watch the naked people get eaten with the rest of us. Maybe get fucked up first. With friends, if you have any. I watched this alone.

Fighting over children (Grog the Barbarian Librarian)

Grog has been reunited with his old friend Lecher, now old after waiting years in the library. Seems he and Grog went through different portals which spit them out at different times. Before they could catch up, though, someone screams from the Children's department!

Grog jumped forward, swift and easy and through the doors and down the steps before the others could turn to follow him with their eyes. Chris and Naomi followed and Ben let them all go, heading toward the elevator.
     Brenda watched Grog bound down the steps and stand, his sword in his hand looking like the giant metal claw of a patient beast. The reflection of the pink summer reading shirt on the blade had a strange beauty to the woman.
     "My son is none of your business," a man yelled. The sound was followed by another child's cry.
     Grog strode with confidence toward the children's department. He saw the little ones and his heart soared. They did battle. A small child lay pinned under the body of a larger boy with sandy hair. The small boi was the quiet one from the circle, the one with the brises. Grog saw now how that must be possible. The boy was a poor fighter.
     Rosa told the man in a high voice, "Get your son and leave." 
     This annoyed Grog as he wished to see how the small one would overpower his opponent. He frowned when the child began to cry and curl into a ball The larger boy also frowned and pulled at the smaller arms, ripping from them a small book.
     "See what you been writing about me, Timmy," the sandy haired boy said, getting up.
     The man crossed the room and instead of congratulating the larger boy, yanked the smaller one from the carpet. 
     "Come on, you little cry baby," the man said.
     "He's got my book," Tim said.
     The father stopped and released his son. "Then go get it back," he said.
     When the boy lowered his head and said nothing, the father began walking away. As he passed Grog, he matched eyes with the barbarian and found the floor. The boy followed when the man bellowed from the front door.
     Naomi walked through the space with a disgusted look on her face. "Reggie," she said.
     The sandy haired boy, Reggie, rolled his eyes and thrust at the book he had taken from Tim. "He started it, Mrs. Naomi."
     Rosa spoke without being asked. "He beats that boy and you know it. All the bruises."
     Naomi took the book. She shook her head at Rosa and said, "You argued with the dad and not the boys fighting?"
     "You're not putting this on me," Rosa said.
     "Mrs. Naomi, Timmy was drawing me and the little crap was laughing. Look," Reggie said.
     "Out, Reggie. Two days," Naomi said.
     "But Mrs. Naomi."
     "Out. I'll be in my office." Naomi walked book in hand past the library assistant and the children's desk. She opened the door behind it into a dark room, leaving it open, and Grog heard another door open and shut.
     A hand fell on Grog's elbow. Ben said, "Walk an old man to the curb, Groggy?"

Stay tuned on Fridays for the continuing adventures of Grog the Destroyer and how he became the Banned Library's children's librarian.

For all Grog Stories, go on this link and read from the bottom up.

Or you could wait until we collect them all and buy them from the bookstore.

She Made a Scanner Darkly

"It won't scan, it just comes out dark," the lady said. She held up a piece of paper that was solid black. You could just make out printing.

    Pam and Carl exchanged a look that said "this crazy lady is trying to photocopy a purple sheet of paper on a black and white copier and doesn't get how pants work." This look was a very normal look for them.

    Carl said, "Let's go look at the copier and see what's wrong." He was only volunteering to help because Pam had helped the last patron, a man who was looking for large print audio books.

    At the copier, Carl got a bit of a shock. Attached to the copier was a squid making sweet love to the office machine.

    "That wasn't here earlier," the woman said.

    "Squick Squick Squick," the squid said.

    "Huh," Carl said.

    The two of them waited, staring at the sea life having its way with the photocopier. The woman dreamed of being touched so gently. Carl wondered how it was lasting so long.

    Then a man came around the corner. He had on a beige uniform that fit a little snug. A patch on the shirt read "Johnson Photocopying." He said, "Sorry folks, ole Reggie's just finishing up filling the toner. He takes his time about it, but then, he's not paid so I guess I would to."

    Carl, the woman, and the copy machine man waited while Reggie the squid fucked the copy machine. Reggie said, "Squick, squick, squick." The machine remained silent.

The Disaster Artist (2017) Movie Review where I kinda lose it because I loved it so much

When going into The Disaster Artist, there's a few things you must know. One, a man named Greg Sestero helped his weird and very rich friend Tommy Wiseau make a horrible movie called The Room (2003) that if famous if only because it is. Two, you will never learn anything about Tommy Wiseau. There's more, so much more, but why spoil yourself.

    The real big question is: Should you watch The Room before you see The Disaster Artist? Hell, man, you might as well ask me why we should know what the sun is before an eclipse? Isn't it enough that the thing is out there and could cause people to delve into madness if they think too hard on the subject?

    James Franco and his brother Dave star as our pair of nuts at the center of the hurricane. Along for the ride are just about everybody, including the How Did This Get Made podcast, mostly there I assume as a blatant lampshade on the whole affair. How the hell did any of this get made?

    To be fair, man, I loved the movie. It's funny and strange and open in a way a lot of movies are not. If Tommy Wiseau was a character from someone's brain, this mess would play out like Borat or the quaint imaginings of Wes Anderson. However, the whole thing is based in fact and therefore a work of genius.

Lady Bird (2017) Movie Review that dared to fellate Sacramento and tell a story

Question: How much does this movie love Sacramento? Answer: So much. Almost too much that it's distracting.

    Lady Bird follows the life of the self-named "Lady Bird," a seventeen year old kid who is about to have an entire high school experience in two hours. She joins a club, gets friends, loses friends, gets a boyfriend, gets laid, gets drunk, gets high, gets all the things and more. Also her mom is up her shit and they are just not a happy family.

    But they love each other, right?

    I don't really know. Honestly.

    I think the problem is the Sacramento stuff. The Big Tomato (is that really Sacramento's nickname?) stands in thematically for that every hometown that people escape from and then look back on fondly. But it's just a little too… Sacramento. Before this movie I had never thought this hard on Sacramento and now I feel like I would recognize places there while driving around and that kinda misses the "everytown" theme.

    I liked the movie. Go see it. It's Rushmore meets Juno and all the shit with Molly Ringwald. You could say that Lady Bird's dyed hair is a commentary on Mrs. Ringwald. Think about it.

Hats off to Christmas! (2013) Movie Review and holy shit ahahahahahaa I'm insane

Get this shit: Haylie Duff works in a store in a smallish town that sells exclusively Santa hats. The place has a fucking warehouse and everything. She thinks because she worked hard, she's going to get put in charge some day. However, the boss somehow did not jump on the Santa hat boom of the 2000s hard enough so has invited his business Son to run the company.

    You want me to go on? Fucking okay.

    Son gets the job, cause he's a businessman, and Duff has to train him how to run a Santa hat store. Then he starts befriending her son.

    I know.

    Just as we think Son is not a bad, slicked hair business man with a heart of coal, he stands up the kid for the big pumpkin carving contest. Did I mention this kid is in a wheelchair?

    We are told this is a hellish thing, but Son gets another chance to prove to Kid he's worthy to be a… dad? Friend? Duff and Son are not going out or really very romantic until the script says they have to be. Anyway, the last chance is a soap box car race.

    Wheelchair kid in a soapbox car race. I'm done, Hallmark. You win. Way to Photoshop out the cleavage on the poster, btw.

The Man Who Invented Christmas (2017) Movie Review that will charm the Dickens off you. The Dick-ens.

Charles Dickens, master storyteller, has a little money trouble due to his dad being a jerk and his books not selling. Then he has an idea, one that will change the world and make people the world over complain about the phrase "Happy Holidays." That idea is to set a story during the Christmas season and base it around family and the morality of an old bastard. Thus we have A Christmas Carol.

    I was on board from jump. What is basically a sequel to Shakespeare in Love (1998, the movie that didn't deserve Best Picture but was a solid story), The Man Who Invented Christmas is a masturbatory act of a screenwriter showing how much trouble it is for a writer to write and the inspiration that the world can bring to genius blah blah blah. I like to write things and I like to see the creative process in the act, even if it is twenty feet tall with its Dickens in its hand.

    Yeah, I'm a child and love that Dickens joke.

    The movie is charming with just enough real life to make the drama "matter." We know the dude wrote the story and that he was a little crazy with his family. What matters is the people and the characters, something the story draws out with pure empathetic emotions.

   Plus, Christopher Plummer as Scrooge is a must see. Just damn good.

American Made (2017) Movie Review and Tom Cruise didn't do that

I have a problem. I had the same problem in Valkyrie. I like Tom Cruise. Whatever personal shit he deals with, he's a likeable actor who always delivers. As Tom Cruise. I call it Movie Star Syndrome. Tom Cruise will always be Tom Cruise no matter if he's a super spy or a janitor. I can't buy Tom Cruise as a Nazi or a drug smuggler, though.

    Barry Seal was a real guy that the CIA used as a pilot. He made a lot of money because while taking pictures and running guns to contras he also ran cocaine and other illegal crap for the South American drug cartels. It caught up with him in the end and we know about the man because of declassified intelligence.

    Tom Cruise plays Barry Seal but Tom Cruise was never Barry Seal. He's charismatic and open, running around as a family man and a small town businessman. He should have been a real scumbag, though, and I just can't see it in Tom Cruise. Tom Cruise saves the day, he doesn't get shot in the face.

    For the overall experience, the movie is good. Stunts and writing are on point. The acting is well done and the story holds together with a feel of realism that never made the outlandish things feel fake. However, it just kinda drops near the end with a payoff that doesn't work.

    And he's always Tom Cruise.

Goodbye Christopher Robin (2017) Movie Review that f*&king cheated, that silly old bear

When do you let a movie get away with shit? We all like a twist ending, right? Something that redefines a movie and the characters in context. Even a bad twist ending makes a movie memorable. But at what point do we call bullshit?

    A.A. Milne has a bunch of problems. He came back from the Great War with his head all crazy, he has a wife that's a bit on the materialistic side, and the kid they had to save their marriage is just a pain. So his wife ditches him in the woods with the kid and Milne has to play "make-em-ups" to entertain the kid. Those "make-em-ups" turn out to be Winnie-the-Pooh, an international sensation that ruins the kid's life.

    So where does the cheating come into play? The movie starts with a military man delivering a letter and Mama Milne crying. Spoiler alert: The kid is fine. When the story flashes back and catches up, turns out the kid walks home from World War 2 like a boss. Except he's annoying now.

    Really, though, that's just the second worst part of the story. The worst is the grown up Christopher Robin. To be honest, even he's not bad. The acting is solid, the movie is charming, and I really did enjoy my time. Check it out when you want a slow drama.

Kingsman: Golden Circle (2017) Movie Review that made just as many ass jokes as I thought they would

Kingsman opens up where we left off our favorite band of poncy super spies. The main guy has his girlfriend, the realm is at peace, and Mr. Darcy is dead as shit. Then a drug kingpin lady comes along and blows everybody to hell.

    The central theme of the second one of these movies is to make a second one of these movies. Blow some shit up. Be as British as you can be while also trying to be both fast and furious with as many guest stars as possible. For the most part, it works.

    The spy vs spy stuff is just over the top enough to work. Add in all the cameos (I'd shame Elton John but he just made me smile) and you have a fun action flick.

    I hate when people say "it doesn't take itself too seriously." Yes it does. That's why the jokes work. Everyone acting tricked me into believing this nonsense is real, which is why Fast and the Furious and the OG Point Break work while whatever Leslie Nielsen was doing at the end failed. Leslie stopped being a part of the joke and became the joke.

    Should you see this piece of shit? I dunno. Look deep in your soul. Do you smile at the sight of orange flames and red blood? Then yeah, sure. And there's an ass joke or two that's subtle enough for grandma.

A Bad Moms Christmas (2017) Movie Review that made me want to thank my mom for not being any of these moms

Full disclosure: I've never seen a "bad" anything. No grotesque grandpas, turbulent teachers, or lascivious librarians. Just to let you know, I'll watch a Bad Librarian movie, even if it stars Noah Wyle.

    When I say this is the worst "bad" movie I have seen, then you know I don't give a shit about these people. What makes them bad? Who the fuck cares? Have them hump Santa and get some drinks at the mall. Cuss out their kids. If that's "bad" then the trailer park where my friend and confidant Andy Lamont grew up is hell on earth. Those ladies would fuck Santa up and down.

    What's the story of this movie? Everybody's mom is a piece of shit. And there's kids or something and we learn the spirit of Christmas. The most unbelievable fact of this whole enterprise is the scene where all the moms meet in a church and don't burst into flames from the righteous fury of the screenwriter paid to spin this gold into straw.

    In case you're wondering, the gold is the entire cast. Every person in this is working below their potential, the blogger writes as if channeling a school marm.

Justice League (2017) Movie Review and how I began to love the bomb

There's a point in Justice League when I started to say, "Hey, this ain't my little brother's Superman."

    Full disclosure, I don't have a little brother and never had that point. I just wanted to say that and now I feel a little ashamed.

    Batman has a parademon problem and thinks he's gonna need some buds to help him out. He gathers Wonder Woman, Aquaman, Flash, and zombie Superman up and they get to punching shit. That's about it.

    If you come to these superhero movies looking for anything other than two to three hours of explosions then brother or sister, you need to shut the computer and take a walk. Even Christopher Nolan could not move this genre out of the "punch it until it's ideologically sound." If you say different, well, I'm happy for you.

    I say that to say this: DC has produced the bottom of the barrel of content. Wonder Woman is the exception that proves the rule. Given her screen time here, I hope you saw the acting talent Snyder gave her ass.

    So when I say that this movie is passable as a hungover Sunday indulgence, I do not say that lightly. A few jokes land, you can see the action at times, and the plot is pretty straight forward.

It Follows (2014) Movie Review wherein I was bored for a while then while getting milk I was like, brrrr, that would be creepy

The idea is simple: you have sex and a thing chases you until it gets you and you die. Maybe. Nothing's really sure in what people have been calling the best horror movie until Get Out got out.

    On the surface, I'm down. Good premise. Nice looking kids doing their all to thwart a being hell bent on killing… one of them. And that's it. Don't fuck Jay and you're safe.

    That's the issue, right? As far as we know. The director/writer came out recently and said there's more to it. The rules we learn are formed by the characters in the movie, so the It might have more to It.

    That's the basis for good horror. A nameless shapeshifting thing is coming to fuck-murder you for no apparent reason other than it seems to dislike fornication. Or really like it. The unknown is the cornerstone of great horror.

    Unfortunately, this mumbly movie kinda just makes its way along. Everyone is realistic and with this monster, that's kinda dull.

At least it wasn't cute and named The Strange or anything like that.

Casablanca (1942) Movie Review in which I mean, what the hell, go see it

I don't want to be the one to tell you, but if you haven't seen Casablanca you are a broken, unfulfilled person. The simple love story of Rick and Elsa with the backdrop of WW2 should be on everyone's "to watch" list.

    Humphrey Bogart stars as Rick, a man without a country in the land of Casablanca where life is cheap and getting out is expensive. In comes a couple of problems, some illegally obtained letters of transit and Ingrid Bergman, the person who broke Ricky's heart and now needs to get out. Oh, and she's got a man with her. Add in some Nazis and some unscrupulous folks and this soup is done.

    Still, what else can you say has been around for damn near a century and still works? And with film, that's doubly hard. Effects get dated, themes get lost, overall ideas are faded by the memory of time.

    Casablanca has not faded because the timeless ideas of love and loss and good and evil and even the vast shades of gray still hold up. The music and the acting and the sets are just so damn good. And the lines…

    I'm rambling, but I will leave you with the one moment I still dislike: the Tango Delle Rose part. I just don't like it and after nearly 20 years of watching this movie it is nails on chalkboard.

Lego Ninjago Movie (2017) Movie Review and the dreams I had while I slept through it

Five minutes into the Lego Ninjago Movie I fell into an deep and infintiely more exciting dream. In the dream I myself was a ninja, but I worked at a library. A library ninja, if you will. I was going about my normal library tasks but dressed as a ninja.

    I woke up to see a cast of plastic, Toy Story (1995) inspired creatures jumping and yelling and doing fuck all if I could tell. Someone once said these Lego movies were a mash up of Airplane! (1980) and Avengers (2012). Fuck that person right in the ear with a plastic interlocking brick.

    If you like the Lego games, good. Great for you. Same about the movies. In my opinion, the first Lego Movie (2014) was a delighful suprise. Lego Batman (2017 holy shit that came out this year? Thanks Trump for extending my life with an unending sense of dread) was crap. Shiny crap, but just too much. This movie extends on that crap by taking out the Batman and leaving all the stuff I hated.

    I don't know shit about Ninjago and after sitting through this movie, I care even less. I fell asleep three more times, continuing my ninja librarian dream. I helped a patron photocopy, found the paper in the book drop, and craeated a library card, all while wearing a ninja mask. And I was super bummed every time I woke up.

An old friend returns (Grog the Destroyer, Children's Librarian Part 3)

Last time on Grog the Destroyer, Children's Librarian, Grog found an old friend in the library while searching for a way back to his home land.

Grog gripped the shoulders of his old friend so hard his old friend's old bones cracked a little. Ben, also known as Lecher the Thief from the land of Y'eabud, stared at his old friend and teared up a little.

    "I never gave up hope you would find me, Grog," Old Ben said.

    "Where have you been, Lecher?" Grog said.

    "Call me Ben. I have been here so long its the only name I know. And while it's good to hear it from friendly lips, it's kinda a creepy word here, so let's just be cool. A bad kind of creepy. Also, don't steal. They throw you in a box and when they can't identify you… They have a system and it is easy to get lost," Ben said.

    "When was it I last saw you? The Palace of Virginal Glory? When you sere stealing of Jem of Servant Blood?" Grog said.

    Ben said, "Our last adventure was to the Tower of Sacred Wishes. I left you with that elephant man…"

    "Yes! He said he could gran t me wishes but he only wanted to suck my cock."

    "When I left you there I found a cave near the tower. Inside I found a glowing pool of green water. Thinking something inside might be shining and making the pool glow, I leaned too far over and fell in."

    "And you found yourself here?"

    "No, no. I went back to the tower and the Thorn and her minions were there. You saw, at least I remember you there, leaning out of the window yelling 'this elephant man wants to suck my cock.' I wasn't sure you saw me, but you saw the Thorn."

    "She attacked the Tower. The elephant pervert was killed by her archers. Then she began throwing out the portals before escaping to Arathorn where I followed her. I did not know you were there."

    "I awoke, here, outside the library fifty-two years ago."

    "Fifty-two years? What have you been doing?"

    Ben shrugged. "For a while I stole things. Got locked up. Little box. It is at the same time more simple and more difficult in this world. The people are trusting and gentle, yet their weapons are complex and horrific. Hard. They call their magic technology and base it on principles of the world rather than of the gods."

    "That means little to me. I must leave this world. It smells of flowers," Grog said.

    "Yes, I imagine. But there is no magic. None. I have looked all over, worked for many governments and people claiming to be shamans and witches. Their priests, they do not even sleep with women. This world is inescapable, Grog."

    "What does this book say?" Grog said. He pointed to the illustrations and the text.

    Ben shook his head. "It's all the things i told Prim to write down about our world. I was hoping someone would see it and know."

    Grog sighed and pushed the book away.

    "There is more. They-" Ben stopped as the doors to the stairs opened.

    Naomi and Chris walked through the doors and right to the two men.

    "We need you to give up your sword, Grog," Chris said. His voice shook but he looked Grog in the eye.

    "No," Grog said.

    "We have children in the building," Naomi said.

    "Then they should not attack me," Grog said.

    "Why would they attack you?" Naomi said.

    Grog sighed and rolled his eyes at Ben. "Children often attempt to attack me. It is because I am the strongest and they test themselves. No reason to worry. I will not shed blood in this house of worship. Unless they provoke me."

    Naomi stood staring. She said, "I don't believe half of what I just heard."

    "I will teach the children pain if they attack," Grog said.

    "Give us the sword or leave," Naomi said.

    Ben stepped forward, putting his old body between the librarians and the barbarian. He said, "I can vouch for Grog. He's an honorable man, in his own way. He will not harm your weak children. Please let him stay."

    Chris said, "Sorry, Ben. We called the lawyer. He said its a liability. If it was fake, maybe with foam or whatever, but that thing's sharp as hell."

    "It's that Rosa complaining," Ben said.

    "Sorry," Chris said. He did not seem sorry. The library director seemed as if he wished to be far off in a small cabin reading about book that had a man like Grog in it rather than facing off. He had drawn strength from the earlier confrontation but reality had ensued. If the big man started waving around the sword, Chris would die.

    The four stood in silence. Grog would not yield. Ben waited to back his friend's play. Chris felt like going to the bathroom. Naomi pulled out her phone and just in case dialed nine and one and then waited.

    From downstairs, even through the stairway doors, a child screamed. Naomi dialed the final "one" and called the police.

    "It was not me," Grog said and began to move.

Thank you for reading and searching with Grog. Come back next week for some action packed action. Might change this to Grog the Children's Barbarian... I dunno. Oh, and if you wanna draw Grog, I'm tottally down.

Last Flag Flying (2017) Movie Review that has Steve Carell at his most vulnerable.

Steve Carell sitting in a metal folding chair, holding a folded American flag will haunt me for a good long while. The scene around it has Bryan Cranston yelling and Laurence Fishburne giving us his cool stare, but Carell in that chair…

    Carell plays a man who has just learned his son has died in service so he goes and gets his two old army buddies to bring his boy home. Essentially a road picture, Last Flag Flying is an examination on the nature of brotherhood in service and war in general. Where it lands is often on the side of the people, a good side if there is one where most sides end up with dead children.

    I had no idea what I was going to see. I saw the actors and the flag on the poster and thought, "well, I've got two hours even if this does end up being some commercial for the military." Two hours later… Well, Steve Carell in that chair.

Coco (2017) Movie Review: Fun flick with lots of murder. And where's Hitler?

Let's not talk about the Frozen short, shall we? Better left unsaid. Years from now, people will tell the story of the short that came before Pixar's latest film with an unbelieving tone. Can you believe someone was stupid enough to pair a twenty minute Josh Gad holiday monstrosity in front of an actual story with weight and meaning, not just as a story but for an underrepresented minority?

    Coco is the story of Miguel, a boy whose family won't let him play music, the thing he's born to do. Lucky for him, his story coincides with the Day of the Dead, the one day when the dead and the living intermingle. Miguel and his family learn important lessons about togetherness, history, love, and murder.

    Oh, did they not tell you Coco's base story included some murder? Like, hardcore stuff man. In fact, without spoiling too much, you could compare the story to that of another Pixar movie, Up…

    Okay, spoilers. Sorry. Whatever, I got to work some shit out. Go see the movie and come back.

    So the hero of this story goes to a magical land, finds his hero, realizes his hero is a murderer, and through the help of newly acquired friends defeats the bad guy… Yeah, kinda like Up. I mean, except with less guns and more poison. How did De La Cruz have that poison at the ready to kill Hector, anyway? He was planning on doing that all along, right?

    And the dog turning into a helper animal, I've seen that before too, huh? And not just the caterpillar in Bug's Life getting those shitty wings.

    Oh, and fuck that grandma for busting the guitar. I know this is a heightened reality and all, but what the hell? That's abusive and wrong. Hit the kid with a shoe or whatever, but don't go John Belushi on his past time just because you have issues. And not even you, your grandma had issues.

    And when was this movie set? It seemed like present day, but the kid uses VHS and nobody has a cell phone. I mean, that's cool, it didn't impact the plot, maybe it's the 90s or something or Mexico is a technological wasteland. Just weird.

    And what happens to all your stuff when you finally fade away as a dead person? Seems like that guy, the one with the cans and whatever, his crap was up for grabs. If there's a nuclear war, do all the dead people vanish en masse?

    And where was Hitler and Charles Manson? The really bad guys people remember? The movie didn't seem to divide things into Heavens and Hells, so there's some pretty bad dudes who are still remembered running around, right? I bet some asshole out there is putting their pictures on shrines, so you know they get to run around. And before you say stuff, Ernesto was a straight up murderer rather people knew it or not, so the afterlife does not have a catch-all judgement system.

    That's it. I can't think of anything else.

Credit for Christmas

Pam sat at her circulation desk going over her email on the staff computer. Someone wanted her to babysit. Another person wanted her to "like" something online. Several companies were looking for her to join their ranks as a member of an elite credit order.

    "This one wants me to join up and I get bonus miles," she said.

    Carl, her fellow library assistant, grunted. He had before him a brick-building display project for the children's department, the shape of which was very brickish.

    "Miles of what?" Pam asked.

    "Probably flights," Carl said. He stuck one brick on another brick and the bricks became more than what they were before.

    "I can't afford any flights," Pam said.

    "Can you afford the debt?"

    "I gotta buy Christmas presents."

    Carl picked up another brick, this one red and longer than the other two. "Tell everyone you got them your own piece of mind."

    "Or I could bake things," Pam said.

    "Everyone did ignore your chocolate chip cookies enthusiastically."

    "Oh! This one says no interest until next year! Do you think they mean 2018 or 2019? Cause if they're not interested, I am."

Grog searches the library (Grog the Destroyer, Children's Librarian Part 2)

For the first part of this story, here ya go. But really, a barbarian guy invaded a city and a witch sent him into our world. 

Grog the Destroyer kicked in the doors to the library. He scanned the interior of the building. A desk with a woman behind it. The sound of children in the distance. Books all around.

    To his right were older men and women in comfortable looking chairs reading large papers. Elders, Grog thought. He approached a small man wearing a black and gold round hat with a symbol of the Flower of the Saints. The man sunk into a red chair as Grog approached.

    "Elder scholar, I am in need. I seem to have been sent here by a witch of Arathorn and must get back to destroy her. Can you help me?" Grog said.

    The man said, "Ain't you a thing to see. Sorry, sonny. I ain't even gonna try. Talk to Brenda."

   The old man pointed to the desk with woman behind it. She wore a smile.

    "Can we help you, sir?" she said.

    Grog stomped over to the desk and said, "Where is the witch of Arathorn?"

    The woman behind the desk said, "I'm sorry, but you can't use that language in here."

    Grog pounded a large fist on the circulation desk. "I don't have time for your nonsense. Tell me where the half naked witch is. Does she reside in this land?"

    The woman said, "Yeah, I have no idea what you're talking about. Maybe she's in the phone books?"

    Grog nodded. "She would be written about. Witches are notorious for recording their spells and actions and wizards record the actions of all known witches for breeding purposes. Where is this phone book?"

    The woman smiled and pointed to the stairs. "Second floor. Or you could use the elevator."

    Grog climbed the stairs, taking them two at a time. The second floor had many signs telling patrons where things were located. Computer lab on the left and reference desk to the right. Nonfiction books stretched into the distance on over a dozen eight-foot shelves. Grog ignored the signs and grabbed the first person he saw.

    The man's cane fell to the ground as Grog shook his arm. His milky eyes behind giant black glasses swirled in their sockets. A slight smile formed on his lips.

    The blind man said, "Thank you, sir, but I don't need help getting about."

    Grog let the man loose. "I crave only your attention. Where are the Books of Phone?"

    "Can I help you?" a voice said.

    A young woman with flaming red hair sat behind a desk. Her expression said I'm worried about the man in the loin cloth.

    Grog left the blind man who left the scene. He walked over to the reference desk where Felecia sat. Felicia took in the man and cursed Brenda, knowing the circulation librarian had sent this crazy man up to her. On the other hand, the tall, dark man was made of muscle and may just be a cosplayer or something playing an elaborate joke.

    "I seek knowledge about the Witch of Arathorn. The woman downstairs sent me after the Book of Phones," Grog said.

    Felecia cursed Brenda and nodded, "We have phone books up here. Is the… Is what you're looking for a place? Like a shop or something? I've never heard of it."

    "She is the most vile creature. I did not expect her when she attacked. Red hair, not like yours which is a fetching shade of flame but a smoldering red, a dark ember of being that matches the robes she wears about her person, open to expose her breasts and crotch, which is also the same shade of red. I came upon her in the city of… I did not get the name of the city, but I was tired," Grog said.

    "Wow," Felicia said. She putting her hands together slow, clapping. "I've hear of commitment to a bit but that's an amazing speech. Tone it down, though. Kids are around here."

    Grog leaned over and slapped the desk, "I cannot tone anything, I am busy. Show me the Books of Phone."

    Felecia said, "Woah, okay. Back up."

    Grog flexed and his eyes raged for a moment, then he found himself. He told himself these were innocents around him, yet his sense of danger was all over. Then an idea occurred to him. He turned without thanks and left Felicia to wonder what was happening.

    Back on the first floor, he listened and heard the sounds he knew he should have followed from the beginning. Chanting, laughter, stories being shared. Innocent voices raising up tales.

     Right now the voices were singing something about wheels on a bus going round and round.

    The large man approached the story time circle and sat with the children. Naomi stopped singing as she watched this happen, her grip on the book slipping. Her first thought was, holy hell, that's a real sword on his back.

    The children continued to sing as the wheels on the bus went round and round. Then more and more of them noticed Grog. Some stopped singing and stared. Others smiled and giggled at the large man sitting with them like a child.

    Naomi said, "Um, sir, can we help you?"

    "Continue," Grog said.

    "Do you have a child here, sir?" Naomi said.

    "While I have bedded many women, none have told me of children I care to accept as my own," Grog said.

    The children started laughing and Naomi's face went white then red as the summer reading shirt she wore. The children's librarian had many issues with strange men over the years in her department, but this took the cake. She swallowed and tried to think of something to say when Rosa spoke up.

    "You can't be here," Rosa said.

    Naomi sighed. This would be the day that Rosa worked. The library assistant often caused problems with patrons. Just last week a father and normal patron had commented on the beautiful ruby earrings Rosa wore daily and the whole affair had to be documented.

    "I seek knowledge of the Thorn of Arathorn. Please, continue with your musics of the wheels on this bus creature. If need be, I shall share stories and songs of my own for stories of your travels, teacher," Grog said.

    The children's librarian digested that information and stood. "I'll be right back," she said.

    Rosa said, "I'm not leaving him with the children."

    "I'm going to call Chris," Naomi said.

    "Are you a barbarian?" one little boy asked. He was small and dark haired and reminded Grog of himself at the age had he not been a slave in the Pits of Isaacson and made strong and scarred with fighting and rock breaking. Looking at the boy closer, Grog saw scars, though.

    "I am, of a sort. I am Grog the Destroyer. That is what they call me, although I dislike the name. Maimer, killer, attacker, conqueror from time to time, but destroying is for madmen. I am not mad, little one. I leave things intact or able to rebuild. Remember that. Always leave them able to tell your story and able to rebuild. Then they are stronger when you attack again," Grog said.

    "My name's Teddy," the little boy said.

    "Yes, I'm sure," Grog said.

    "I'm Billy and I"m not supposed to talk to you," A little boy in a red shirt said.

    "Billy," Rosa said.

    The boy cut his eyes to the woman and lost some fire in his eyes. Then he looked up again and Grog saw a smile. Grog smiled back.

    "You need to leave," Rosa said.

    "Why? I seek answers," Grog said.

    Naomi came back to the story circle. She said, "Sir, can I talk to you over here?"

    Grog lifted himself up with his powerful legs. Naomi found herself looking at the strap of his sword on his powerful chest. She thrust her hand forward. In it was a red summer reading shirt, triple extra large.

    "Put this on while in the library, please," Naomi said.

    "I do not wear red. It is the color of the Thorn of Arathorn. Are you members of the Cult of Arathorn, here?" Grog said.

    "I don't know what that is. Put this on or leave," Naomi said.

    "I do not wear red," Grog said.

    "Then leave. It's the same shirt I'm wearing."

    "With the colorful duck in pants reading to children?"

    "Yes."

    "Fine. As long as the garment is not pure red," Grog said.

    Grog unbuckled the sword from his back and leaned it against a table. He had some difficulty pulling the shirt over his head, but in a moment wore the same summer reading shirt.

    "It's tight," Grog said, buckling the sword back on.

    "It sure is," said Brenda.

    Naomi waved a hand at the circulation librarian. "What?" she said.

    "Chris wants to know if he should call the cops," Brenda said.

    "No, just tell him to come down here," Naomi said.

    Moments passed and the librarians and the barbarian waited.

    An older man in blue slacks and a yellow vest came down the stairs and headed towards the children's department. Chris Davies stopped short when he saw the large man towering over Naomi, Brenda, and Rosa. He almost ran. Peed his pants and ran. It was akin to seeing a tiger or bear running around the library. Chris's first thoughs was to call the cops, right away. Tell someone else to deal with this animal, as if the man in the tight red shirt was a stray dog or snake.

    Except they saw him. Brenda smiled and got herself away. Naomi's face was a mix of amusement and exasperation. Whatever the half naked man had done was both interesting and distressing to the children's librarian. Or the distressing part could be Rosa, a constant thorn in Naomi's side as the bossy library assistant often equated library practices to her own familial concerns.

    "Chris, this gentleman is Grog. He's sitting in story time," Naomi said.

    "I am no gentle man," Grog said.

    Rosa crossed in front of Naomi and Grog. "Mr. Davies, this man came into the story circle and sent away the children. He has no child of his own and I want him thrown out of the building," she said.

    "No man throws me," Grog said and reached for his sword.

    Chris held up a hand. "Why don't we talk first?"

    With a graceful motion, Grog side-stepped around Rosa and drew Metal Death, holding the sword against the library director's throat. Grog growled, "I am no gentle man. I came to seek information about the Thorn of Arathorn. This land is strange but the law of the sword are baked into all lands."

    "I'm gonna call the cops," Rosa said.

    "No," Chris said. At times in a man's life, he finds resilience within himself. Tests arise and the man can meet them or be defeated. Grog knew this well and instinctively. The eyes of the barbarian narrowed and met the eyes of Chris. Chris, in his part, felt calem for the first time in years. Political bullshit from the library , loud patrons threatening to go to the newspaper, old men saying the paid his salary with all them taxes. All abstract fears that lived in the dark. Now, here, for the first time in decades, Chris was confronted with an immediate danger and his heart slowed and his eyes unfocused and his mind centered. If the library's problems lived in the dark of abstraction, the sword was a bright light that cut through the bullshit.

    Naomi and Rosa saw the change in the library director. The stuttering and shaking presenter at library conferences straightened. A good man, intelligent and able to somehow always find funding, a meek and mild man until this moment.

    Gros saw and equal and grinned. He lowered the sword.

    If need be, Grog would kill the man. But the resolve he swa in Chris's eye made him sure the man would be an ally. He had seen the look before in others. Bowman the Archer. Lecher the Thief of Ten Rings. The Pyromancer Tim. Now this library man Chris. He put away Metal Death.

    Chris said, "Rosa, don't call the cops. Naomi, you and Rosa finish up story time. I'll take this warrior up to reference and will see what we can find."

    Naomi said okay. She went with this turn of events because it got the children out of danger and sent the large half-naked man away. Rosa's cheeks flushed. Rosa in her capacity of a library assistant, was used to being heard and in front of her son she did not like to be ignored. If the man was not out of the building in a few minutes, she would take action. What form that action would take, she had not decided.

    "You remind me of an old friend," Grog said on the way up to reference.

    Chris said, "In what way?"

    "Lecher was small and colorful man as well. HIs clothes and his hair were bright, like your yellow and blue. No one could deal like Lecher, should he begin to bargain," Grog said.

    "Where is he now?" Chris said.

    "Dead. In that way, you two are different."

    "I'm sorry to hear that."

    "He died fighting the sorcerer Thom, the teacher of the Thorn of Arathorn."

    "That sounds… interesting." Chris held the door as Grog continued.

    "Indeed," Grog said.

    IN the reference area, two men Grog had dismissed earlier stood watching. One held himself tall and straight, a white cane gripped in an old and spotted hand with a gray overcoat draped over his shoulders. The other stood back, holding himself away from the world as if guarding from attack. He wore a faded yellow scarf that hung limp and for a moment Grog felt a twinge in his memory, yet could not place anyone as old as this man.

    "Dave, Ben, what can I do for you?" Chris said.

    "We heard the excitement," Blind Dave said.

    "I was looking for the paper," Ben said, his hands pulling at his scarf.

    "Nothing much," said Chris. "Just some excitement at story time. I'm going to help my friend grog here with some research, but maybe, Ben they've got the paper with the mail downstairs. I'll call in a minute."

    The blind man grumbled something and continued past the stairway doors to the elevator. Old Ben met Grog's eyes as if looking for something. Grog wondered about the old man but Chirls started walking away, so he followed.

    "Now, who was this Thorn of… Arabia?" Chris said. He circled a desk and sat down in front of a computer.

    "Arathorn," Grog said, watching the monitor glow blue then have text appear. He had seen something like this when battling the Sorcerer Longman, tablets that told two truths for every lie.

    Chris typed but shook his head. "Nothing on Arathorn. Could be obscure or ancient?"

    Grog said, "No. I was just there. The witch opened a way and sent me here."

    "Witch? Well, maybe in mythology or folklore," Chris said. He stood and went to the 099 and 390 sections. When they were done, Grog held a large stack of books. The two men sat at a table and began to scan the books, Chris running his finger along the words and Grog the pictures. Chris left the large man looking and went to see if Ben had found the paper. Chris found Naomi at the desk.

    "Is he still here?" she said.

    "Yeah. I got him looking at books. You know, I'm not sure he can read," Chris said.

    "What are you going to do?"

    "He hasn't done anything wrong."

    Naomi put her hands on her hips. "At least take the sword."

    "Yeah, well, the shirt you gave him matches it nicely," Chris said.

    "You should call Andy."

    From the back of the library came a shout, a booming whoop like that of a bear with a salmon in its mouth that did not wish to die that day. Naomi and Chris set off running.

    They found Grog pointing at a map in a book entitled "My Journey into the Bad Bad Lands." The map showed a desert world of Y'eabud. Grog had a thick finger on a symbol, over which read the word "Arathorn."

    "I have found the witch's symbol. The Thorn. She raised it at the gates of Arathron after her soldiers took the city. This book of maps should tell me how to return," Grog said.

    Chris picked up the book. He'd grabbed it on a whim, a donated tome from a long ago board member. He opened to the title page to see the book plate: "A pack of lies hiding a great truth. - Prim Roswell, 1954."

    "Grog, I'm not sure this book is totally accurate," Chris said. An old hand held his wrist.

    Old Ben said, "Why don't you folks go do your library stuff, like finding today's paper. I can help our friend Grog here with this old book of stories. I knew Prim back in the day. Can tell him all about it."

    "If you're sure," Chris said. Naomi shrugged.

    "I can tell him all about it. Plus I can talk lower than you librarians. That'll keep Blind Dave from complaining so much," Old Ben said with a yellow smile.

    "Okay," Chris said.

    "Finding the paper," Old Ben said.

    Chris and Naomi walked away, each casting glances back. Old Ben waved them on. The men stood together, the old and the powerful.

    "Ben a while, Groggy," Old Ben said.

    Grog turned slow to the man. He saw the old man then, small, stooped , lines that were not there the last time he saw the face. Blue eyes, though, gone to gray but still dancing.

    "Lecher?" Grog said.

    "Been a hell of a while," Lecher said.

Stay tuned on Fridays for the continuing adventures of Grog the Destroyer and how he became the Banned Library's children's librarian. 

For all Grog Stories, go on this link and read from the bottom up.

Or you could wait until we collect them all and buy them from the bookstore.