21. Paddington 2 (2017) Movie Review: Another fun prison bear movie

Prison movies are hard to get right. I mean, after the Shawshank Redemption, what else can you do? Besides dye all the prison uniforms pink and turn it into a right good place for a spot of tea, anyway? Welcome to the hole, Paddington.

    The world's most favorite bear that doesn't sound like a bowel movement, Paddington returns in the sequel to my favorite new comfort film. The bear is still living with the Brown family, but his Aunt Lucy's hundredth birthday is coming up. He's found her the best gift, but when he's framed for stealing it he goes to prison. The Browns work on his release while he makes friends on the inside. Also there's Hugh Grant having a hell of a good time.

    It's a very English flick with set pieces of comedy that are charming and fun to watch. Like the first, what starts out as a small mistake on Paddington's part turns a regular event like washing a window into a violent torture scene of hilarity. Even though the film is animated, the physicality is on point. Like Buster Keaton or Rowan Atkinson's Mr. Bean before, the production creates enjoyable… You know what? It's funny and fun and sweet.

    You should see it because you've had a bad day. Or you just want to smile. Or see a flick without 100 people dying or trying to hump each other stupid (although the subtext with Mr. and Mrs. Brown is palpable). It's not a superhero or an assassin. It's just a bear making friends and there's nothing wrong with that.

20. Paddington (2014) Movie Review: Charming English movie that will relieve what ails you

When I'm having a bad day, there's a few things that brighten it up. I'm not talking about earth-shattering days, just those times when the couch seems like the best option. Songs, movies, books: these are the things made to brighten the soul. Add Paddington to that list.

    Paddington, like the books that came before it, is about a bear in a red hat and a blue coat that lives in London. He moves there hoping to find a family. The Browns take him in and in a very standard story, learn to have fuller lives with the clumsy bear in their house. Also, there's a killer taxidermist (Kidman) with a past linked to Paddington's because it's the 2000s, y'all. Action!

    My history with this series is spotty. Honestly, I don't seem to have much recollection of when I first heard about Paddington. My grandma was English, from Bristol, but I don't remember her or my mom reading them. Nothing from Summer Reading or school, either. Just looking at that bear in his red hat and blue coat, though, brings a smile to my face. Don't know why.

    This movie is like comfort food or a simple ray of sunshine on a rainy day. Check it out however you can and just enjoy it. You might not learn much, you might not grow as a person, but you will smile a small smile at the pure English antics of crumbling scenarios, cross-dressing, and wordplay.

19. Rope (1948) Movie Review: Smug Assholes, it turns out, are universal

What does the perfect murder look like? The victim deserves it, the murderer is just, and no one gets caught. Turns out if you've got enough education you can justify any of those points.

    Brandon (Dall) and Philip (Granger) have strangled their friend David to death. Believing themselves to be above reproach of the law and David's friends and family, the two then throw a party with David's body stuffed in a chest they use as a buffet table. As the party goes on, their old schoolmaster Rupert (Stewart) becomes suspicious.

    I won't say everything everyone else says about this movie. Alfred Hitchcock's grand experiment in long shots, the film composed of ten long shots with a few edits, Rope is a novelty of a movie. I won't mention how the homosexual undertones inform on the rather problematic motives of the upper crust privilege. I won't even say how the plot was based on a stage play and was based on the real life Leopold and Loeb murder. Not going to say any of that.

    Not Jimmy Stewart's favorite of his work with Hitchcock, the movie holds up as both a cultural artifact and a damn good movie. It's a masterclass in blocking and small space acting. You have no choice but to rent this or do what I did and get if from the library.

18. Wild Bunch (1969) Movie Review: Because the old west myth had to die

A man in a white hat on horseback saving the locals from a gang of evil black hats. That's the image of the west, of John Wayne and heroes, until Sam Peckinpah destroyed it. All it took was two hours and change and all the bullets in Mexico.

    It's just around World War I and the old west is dying. A group of outlaws with a code, the Wild Bunch, are robbing banks and escaping to Mexico. Two men oppose them, an ex-member of the gang hired by the railroad and a general of the Mexican army with a violent side. From the opening bank robbery gone wrong to the ending bullet-filled spectacle, the Wild Bunch caused a turn in our national obsession with violence by turning the dial way up.

    We follow the Wild Bunch as a dangerous group of men, not the heroes of yore. The first scene we see, the bank robbery, shows the men threatening everyone there to die. The town shoot out that follows continues this. Men and women die at random, children clutch each other in the street. The chase of sex and violence that continues the narrative hammers home the death of the heroic ideal, acted brilliantly by Holden, Borgnine, and the rest as aging outlaws coming to their end.

    Best viewed on a large screen, see this movie however you can. Modern audiences may see it as tame compared to modern violence (there are no robots destroying cities), but the strong characters and melancholy on the production reaches across the decades.