The High Bar

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Picture this: A sixteen year old kid, lanky wearing a spiked bracelet and a shirt of the punk band Rancid, stands outside a college lecture hall. He's having a cigarette, waiting for the last possible moment to go inside where his friends are because he's awkward around lots of people. An old man with curly brown hair, some gray finding its way, stands off to the side with a group of stuffy academics. The old man walks to the punk kid and bums a cigarette, then moves back to the professors. The child goes inside to find his friends. A few minutes later, the lights go down and the old man walks onto the stage. The lecture does not change the boy's life, but it blew his damn mind.

     So that's how I met Kurt Vonnegut, albeit briefly. Seemed like a nice man.

     I've been thinking about that this week. Two people united by a bad habit passing in the night. One of them is an acclaimed author and humanitarian. The other a kid who wanted to write but did not know how. 

     That was my first time hearing a published author speak. High bar, right? His lecture on storytelling and the happiness of the characters rocked me, as did his books when I inhaled several of them. Hearing him speak, Vonnegut either loved or hated storytelling because those are the only emotions I can conceive that would produce the depth of thought on the subject. 

     Since then, I have heard many authors speak. In a small bookshop in Utah, I heard Dennis Lehane talk about his process. I drove all night and most of the next day from Mississippi to Arizona to get Christopher Moore to take a picture with my friend's lawn gnome. Just the other night, I saw Neil Gaiman read and speak in Seattle. 

     I love them all, but none will touch the first. The greatest of high bars. 

     Maybe I was too dumb to know better. 

     I do wonder why the hell he did not have a cigarette on him, though.