Wonka (2023) Is the Wholesome Shit We All Need

Wonka starts off with a song from the first minute and flows from scene to scene with minor problems. A prequel of a kind, a young Willy Wonka wants to start a chocolate shop but is hindered by the machinations of a chocolate cartel that controls the police, the church, and the local economy. Willy uses the power of optimism and childlike magical realism to just hammer his way through obstacles and gain friends, played with charm and vigor by Timothee Chalamet. Everyone in the cast does a damn good job being quirky and somehow real despite the over the top nature of the production. The visuals only suffer from some rushed effects (including the dead stop that is the Oompa Loompa), but overall the movie is delightful with catchy songs and a new story that feels "Wonka." The references to the later stories are organic and well done, but the best is the leitmotif of Pure Imagination that caused me to tear up a little and pour one out for Gene Wilder in my heart and on the kid next to me. Overall a damn good time that's wholesome and needed, if not in the world than by me.

The following will have spoilers and probably me working through some shit:

Not fucking around as a musical

Shit starts right off with a song. No joke, I felt a little worried as he danced around like a foppish jack sparrow for the first few minutes on a ship. But then the song ended and he carried on, talking like a real person and stuff. And I liked him, not just as a handsome actor guy but as a character and person. Everyone does damn well twirling around with their songs. I like musicals in general, and while this one only had a few songs (the "World of Your Own" shop opening song was fun) that I remember, it just washed over me.

Childlike magic realism

For some reason this kept coming to mind. The movie has an internal logic that's childish, magical, yet grounded. Wonka's chocolate, for example. Sure some of it has a bug in it that can make you fly, but another has some thunder and (something else, I forget) to bring hope while Wonka and Noodle talk about their future. Or the zoo scene with milking a giraffe that ends with the balloon dance. Light, beautiful, and a little silly if you think too hard about it.

Chalamet is charming, kind, mad

Wonka here is a proto-version of what we know. That's gonna piss some people off, but I like that we don't know what he doesn't know. It's a surprise when he can't read or fucks up and gets tricked and hit. And that he has hope, a wish to share what his mother gave him. He's human, and I really liked that he could become the hermit with an army of small singing men but right now he's not.

Greedy Beats Needy

I did not expect the class struggle that involved the church. Holy shit, that made me love this movie more. Including the scene with the funeral, Rowan Atkinson picking up the phone, "Hello, pulpit" as if he normally takes calls there. Then the guerilla, underground way our heroes have to organize to reach the people. Getting out their message like street preachers and food trucks until they can establish themselves and be the establishment.

Pure Imagination

Every time this little song played, I teared up a little. At the end when it played, I teared up a little. I love this song and they didn't fuck it up.

Oompa Loompa a little too much

Hugh Grant does great, but the effect and the character in general sucks. The little man seems cut and pasted into shots, his little stupid costumes and outfits not fitting the overall feel of the story. It's like they just mashed him into the story as an afterthought. Just wrote the story out and then were like, "shit, we forgot the oompa loompas." Every time he came on screen, it stopped the story cold. You could cut the character, and it would be fine.

Call Me by Your Name (2017) will subvert your expectations about what a romantic movie can be

We all know what romantic movies are supposed to be, right? Person meets person in a cute way, they initially are irritated, fate spills them into each other's arms, a force pries them apart, then they race back together for a finale marriage or at least reconciliation. There's some variety to be had, but for the most part this is it. Call Me By Your Name shows how real life is.

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Lady Bird (2017) Movie Review that dared to fellate Sacramento and tell a story

Question: How much does this movie love Sacramento? Answer: So much. Almost too much that it's distracting.

    Lady Bird follows the life of the self-named "Lady Bird," a seventeen year old kid who is about to have an entire high school experience in two hours. She joins a club, gets friends, loses friends, gets a boyfriend, gets laid, gets drunk, gets high, gets all the things and more. Also her mom is up her shit and they are just not a happy family.

    But they love each other, right?

    I don't really know. Honestly.

    I think the problem is the Sacramento stuff. The Big Tomato (is that really Sacramento's nickname?) stands in thematically for that every hometown that people escape from and then look back on fondly. But it's just a little too… Sacramento. Before this movie I had never thought this hard on Sacramento and now I feel like I would recognize places there while driving around and that kinda misses the "everytown" theme.

    I liked the movie. Go see it. It's Rushmore meets Juno and all the shit with Molly Ringwald. You could say that Lady Bird's dyed hair is a commentary on Mrs. Ringwald. Think about it.